皮影戲,shadow play或者shadow puppetry,是一種什么樣的表演呢?
It is an ancient form of storytelling and entertainment using opaque figures in front of an illuminated backdrop to create the illusion of moving images.
這是一種古老的表演藝術(shù),用不透光的剪影形象在一個(gè)照亮的背景布上形成投影,用來表演一個(gè)故事。
在臺(tái)灣,皮影戲由潮州皮影,the Chaochow school of shadow puppet theatre發(fā)展而來,通常被稱為leather monkey shows,皮猴戲。
Older puppeteers estimate that there were at least a hundred shadow puppet troupes in southern Taiwan in the closing years of the Qing. Traditionally, the eight to 12-inch puppet figures, and the stage scenery and props such as furniture, natural scenery, pagodas, halls, and plants are all cut from leather.
老一輩皮影藝人說,在清末,臺(tái)南至少有100家皮影劇團(tuán)。傳統(tǒng)臺(tái)灣皮影中8-12寸大小的人物剪影、舞臺(tái)道具包括家具、自然景觀、寶塔、殿堂和樹木花草等都是用皮革做成的。
在法國,皮影戲雖然一開始也是從中國流傳過去,但是加入本地特色后,這種表演立刻變成了原汁原味的法國藝術(shù):
The show began to spread to Europe in the mid-18th century, when French missionaries in China took it back to France in 1767 and put on performances in Paris and Marseilles, causing quite a stir. In time, the Ombres chinoises (French for "Chinese Shadows") with local modification and embellishment, became the Ombres françaises and struck root in the country.
皮影戲是十八世紀(jì)中期傳到歐洲的,法國傳教士在1767年將皮影戲帶回法國,在巴黎和馬賽舉辦的表演,引起一陣轟動(dòng)。馬上,“中國影戲”被改造,加入了法國特色元素,成為“法國影戲”,并在法國長期流傳下來。
在印度、印尼、馬來西亞、泰國、土耳其,都有shadow theatre的傳統(tǒng)。而德國動(dòng)畫界首創(chuàng)了剪紙動(dòng)畫,silhouette animation,是用和皮影戲一樣的木偶一格一格,frame-by-frame地拍攝出來的。