印度電影《我的個(gè)神啊》又是一部外星人的地球探索之旅。雖然,這樣的題材你似乎已經(jīng)看過(guò)千萬(wàn)遍了,但是這部影片的故事情節(jié)卻不同于以往。
The film, director Rajkumar Hirani’s latest science fiction comedy, intentionally leaves behind fierceintergalactic battle and soul-touching cross-species intimacy, filling the void with satirical comedy instead. PK, which arrived in Chinese cinemas on May 22, follows PK (Aamir Khan), a bug-eyed alien, as he searches to find a stolen remote control that will help him return home. The journey is filled with laughter, tears and thoughtfulness.
作為導(dǎo)演吉庫(kù)馬爾•希拉尼的最新科幻力作,影片刻意避開了激烈的星際戰(zhàn)爭(zhēng)以及感人的跨種族愛(ài)情,相反,全劇充滿了諷刺與幽默。5月22日,《我的個(gè)神啊》登陸中國(guó)內(nèi)地各大院線。影片描述了暴眼外星人PK(阿米爾•汗 飾)為了返回家鄉(xiāng)尋找遙控裝置之旅。全片笑點(diǎn)與淚點(diǎn)俯拾即是,亦能引人深思。
The first half of the film is studded with comic detail. After discovering the strange world, the inquisitivealien questions things that everyone else takes for granted. One scene in which he tries to use a poster printed with the Indian rupee currency symbol to buy carrots is outrageously funny.
影片的前半程充滿了喜感的小細(xì)節(jié)。在認(rèn)識(shí)“陌生”的人類世界時(shí),外星人PK化身好奇寶寶,對(duì)我們認(rèn)為理所當(dāng)然之事各種提問(wèn)。在令人捧腹的一幕中,PK企圖用一張印著印度貨幣盧比上相同圖案的海報(bào)買胡蘿卜。
The narrative later turns to focus more on PK’s hidden unrequited love toward Jaggu (Anushka Sharma), a plucky TV journalist, and then ends with a dramatic curve.
影片后半程則聚焦于PK對(duì)勇敢的電臺(tái)記者賈古(安努舒卡•莎瑪 飾)的單相思。最后的結(jié)局卻出乎了所有人的意料。
Even when viewed merely as a love story, PK holds its own. The love between Jaggu and Sarfaraz (Sushant Singh Rajput), a young Pakistani Muslim man, overcomes misunderstandings, parental disapproval and the barrier of different beliefs.
就算只是把《我的個(gè)神啊》當(dāng)做一部愛(ài)情片來(lái)看,它依舊很有自己的特點(diǎn)。其中,女主人公賈古與巴基斯坦的穆斯林年輕人賽非拉茲(蘇尚特•辛格•拉吉普特 飾)相戀;他們的愛(ài)情戰(zhàn)勝了誤解、父母的阻撓和和信仰的障礙。
But Hirani’s ambitions extended far beyond just making another love story. His 2009 hit 3 Idiots, which also starred Aamir Khan, 50, incited discussion across India about the country’s education system. And this time, he takes a critical look at religions and social norms through PK’s seemingly ridiculous but logical actions.
但是,導(dǎo)演希拉尼的“野心”并未止步于此。2009年,他的大熱之作《三傻大鬧寶萊塢》——男主角依然是阿米爾•汗——就對(duì)印度的教育體制進(jìn)行了探討;這一次,他則用PK看似荒謬卻合情合理的行為將批判的目光對(duì)準(zhǔn)了宗教問(wèn)題與社會(huì)規(guī)則。
In a country where faiths are deeply rooted in the culture, most filmmakers consciously avoid touching on the subject to avoid controversy. Hirani’s daring to bring religion to the forefront of public discourse is no doubt a bold move.
在印度,信仰早已扎根于文化之中,為了避免爭(zhēng)議,這也成為許多(印度的)導(dǎo)演敬而遠(yuǎn)之的主題。希拉尼此次將宗教話題搬到公眾面前無(wú)疑是一次大膽之舉。
The strong religious overtones may take a bit more time for Chinese audiences to understand, but PK is thought provoking nonetheless. Every one of us lives in a society where human beings adhere to certain belief systems and codes of behavior. We usually just accept how things are without asking why.
對(duì)中國(guó)觀眾而言,想要理解影片中強(qiáng)烈的宗教暗示也許還要花些時(shí)間,但是影片依舊引人深思。我們每個(gè)人生活在社會(huì)中,都需要依賴某些信仰、遵循一些行為準(zhǔn)則。而我們卻常常連為什么都沒(méi)有問(wèn)過(guò)就接受了這一切。
The two protagonists in the film, PK and Jaggu, share a similar courage to challenge these deeply ingrained beliefs and behaviors. When Jaggu’s colleagues are busy making news out of a mentally ill suicidal cat, she’s the maverick who looks for real newsworthy reports.
作為影片的主人公,PK和賈古勇于挑戰(zhàn)根深蒂固的觀念和行為。當(dāng)賈古的同事忙著編造關(guān)于一只因?yàn)榫袷С6詺⒌呢埖膱?bào)道時(shí),特立獨(dú)行的她卻在尋找真正有價(jià)值的新聞。
This courage is what many of us have lost with age but still long to rediscover in ourselves. That universal sentiment is surely behind PK’s international success.
隨著年齡的增長(zhǎng),雖然很多人都已經(jīng)失去了這樣的勇氣,卻依舊渴望重拾它們。這樣普世的情緒造就了電影《我的個(gè)神啊》的全球成功。