我在人類進(jìn)化剪影的漫畫中取笑我們的現(xiàn)代社會(huì)

我在人類進(jìn)化剪影的漫畫中取笑我們的現(xiàn)代社會(huì)

One of the most recognizable images — and a source of endless memes — is the “Evolution Silhouette” depicting a step-by-step rise from our primate ancestors. I play with the silhouettes in my “Viva la Evolución!” series of cartoons to poke fun at social media, politics, religion, and human behavior. I try to give a fresh and humorous treatment and a new level of meaning to a classic image.

最容易辨認(rèn)的圖像之一——也是無數(shù)表情包的來源——是“進(jìn)化剪影”，描繪了從我們的靈長類祖先一步步崛起的過程。我在我的“進(jìn)化萬歲!”這是一系列取笑社交媒體、政治、宗教和人類行為的漫畫。我試圖給一個(gè)新鮮和幽默的處理和一個(gè)新的層次的意義，一個(gè)經(jīng)典的形象。

I was born and raised in Russia where I became intimately familiar with the absurd. At age 16, I published my first cartoon in the humor magazine Krokodil (“Crocodile”). My passion for drawing and visual storytelling led me to become an animator and film director.

我在俄羅斯出生和長大，在那里我非常熟悉荒謬。16歲時(shí)，我在幽默雜志《鱷魚》(Krokodil)上發(fā)表了我的第一部漫畫。我對(duì)繪畫和視覺敘事的熱情使我成為一名動(dòng)畫師和電影導(dǎo)演。

In 2007, I moved to California, where I work as a director, storyboard artist, character designer, and illustrator.

2007年，我搬到了加州，在那里我擔(dān)任導(dǎo)演、故事板藝術(shù)家、角色設(shè)計(jì)師和插畫師。

Check out my Pushpins Animations on YouTube: short, absurd, sometimes foul-mouthed cartoons.

看看我在YouTube上的圖釘動(dòng)畫吧:短小、荒誕、有時(shí)滿嘴臟話的卡通。

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圖片來源：rusty-yunusoff