泰勒·斯威夫特在重新錄制的《1989》中演唱《蕩婦!》

Taylor Swift is getting real about the double standards of love.

泰勒·斯威夫特開始正視愛情的雙重標(biāo)準(zhǔn)了。

Upon the release of her re-recorded 1989 (Taylor’s Version) — which hit shelves on Friday, October 27 — Swift dropped an additional five bonus songs “from the vault” for fans to enjoy. In one of the never before heard tracks, titled “Slut! (Taylor’s Version),” the Grammy winner seemingly details having to “pay the price” of being a woman in love — an obstacle her partner doesn’t have to face.

重新錄制的《1989》(泰勒版)于10月27日星期五上架，在發(fā)行時，斯威夫特又從“金庫”中添加了五首額外的歌曲供粉絲們欣賞。其中一首從未聽過的歌曲名為“蕩婦!”(泰勒版)，這位格萊美獎得主似乎詳細(xì)描述了作為一個戀愛中的女人必須“付出代價”——這是她的伴侶不必面對的障礙。

“But if I’m all dressed up / They might as well be lookin’ at us / And if they call me a slut / You know it might be worth it for once,” she sings in the chorus. “And if I’m gonna be drunk / I might as well be drunk in love.”

她在副歌中唱道:“但如果我盛裝打扮/他們可能會看著我們/如果他們叫我蕩婦/你知道這一次也許值得。”“如果我要喝醉了/我也可以在愛中喝醉。”

In the second verse, Swift notes the complicated dichotomy of falling for someone in the spotlight, singing, “Send the code, he’s waitin’ there / The sticks and stones they throw froze mid-air / Everyone wants him / That was my crime / The wrong place at the right time / And I break down, then he’s pullin’ me in / In a world of boys, he’s a gentleman.”

在第二節(jié)中，斯威夫特指出了在聚光燈下愛上某人的復(fù)雜的兩分法，她唱道:“發(fā)送密碼，他在那里等著/他們?nèi)拥墓靼艉褪^在半空中凍結(jié)/每個人都想要他/那是我的罪行/在正確的時間錯誤的地方/我崩潰了，然后他把我拉進(jìn)去/在一個男孩的世界里，他是個紳士。”

Swift’s dating life has been the subject of public scrutiny for years, with the singer often getting candid about being judged for her past romances — especially in her early 20s.

斯威夫特的戀愛生活多年來一直是公眾關(guān)注的焦點，這位歌手經(jīng)常坦率地說她過去的戀情被評判——尤其是在她20歲出頭的時候。

“When I was 23 and people were just kind of reducing me to, like, kind of making slideshows of my dating life and putting people in there that I’d sat next to at a party once,” Swift explained during an October 2019 interview with Zane Lowe on Apple Music’s Beats 1, adding that the commentary around her relationships is nothing more than a way to “slut-shame” and devalue her songwriting.

2019年10月，霉霉在蘋果音樂的Beats 1頻道上接受贊恩·洛維的采訪時解釋說:“當(dāng)我23歲的時候，人們只是把我變成了一種把我的約會生活放在幻燈片上的人，把我曾經(jīng)在派對上坐在旁邊的人放在幻燈片上。”她補(bǔ)充說，圍繞她的戀情的評論只不過是一種“蕩女羞辱”和貶低她的歌曲創(chuàng)作的方式。

“I don’t think people understand how easy it is to infer that someone who’s a female artist or a female in our industry is somehow doing something wrong by wanting love, wanting money, wanting success,” she continued. “Women are not allowed to want those things the way that men are allowed to want them.”

她繼續(xù)說道:“我認(rèn)為人們不明白，想要愛情、想要金錢、想要成功，就推斷女性藝術(shù)家或我們這個行業(yè)的女性做了什么錯事是多么容易。”“女人不允許像男人那樣想要這些東西。”

Success is certainly something Swift has found. 1989 — which originally dropped in October 2014 — quickly became a critical success upon its release. The record, which marked her official debut in the pop world, was her first collaboration with producer Jack Antonoff and featured a synth-heavy, 80s-inspired sound different from her past work. In 2016, Swift scored her second Album of the Year Grammy win for 1989, which went nine times platinum.

成功當(dāng)然是斯威夫特找到的東西?！?/font>1989》最初于2014年10月發(fā)行，但一經(jīng)發(fā)行便迅速取得了巨大成功。這張唱片標(biāo)志著她在流行音樂世界的首次正式亮相，是她與制作人杰克·安東諾夫(Jack Antonoff)的首次合作，與她過去的作品不同，這張唱片采用了重合成、80年代風(fēng)格的聲音。2016年，斯威夫特以《1989》獲得了她的第二張格萊美年度專輯獎，這張專輯的白金銷量達(dá)到了9倍。